![]() Perfect curves are 3 clicks away with the 3 point arc tool.Several geometric shapes are easily created and altered with the automated shape tool. Hundreds of editable vector shapes are included.You aren’t locked to a specific mode during any process. You can work in any number of display modes such as 3D. ![]() No mode changes for selection, editing, coloring, moving, sizing, rotating or adjusting properties.Stitch generation is instant and automatic.StitchArtist has features that make object creation and editing easy: ![]() Easier Editing and CreationĬreating designs often requires the ability to edit shapes. You can assign any shape a new stitch type easily. When assigning stitches to shapes, you have freedom to change your mind at any time. Those familiar with any modern drawing tool will feel very comfortable with StitchArtist, but the easy ‘draw with points’ spline tool makes creating shapes easy to learn. You control the shapes, sizes, set the stitching properties, and StitchArtist generates the actual stitches. jpg), then ‘draw with stitches’ over the artwork, using it as a guide. It can also be used to create quilted effects, for example, by applying it to satin areas that are over-stitched with Run stitch or Motif Fill.StitchArtist is a program to create machine embroidery designs from scratch.ĭraw your own, use the built-in shapes, or bring in a picture (such as. Thus Auto Jump can be used, for example, with manually digitized underlays which will be held down by cover stitching. TrueView shows long stitches as they will appear in stitchout.Īuto Jump generally makes stitching looser and subject to being caught and pulled and potentially broken. Unless there are trims present, there will be a long uncut thread. In stitch view, the line down the middle represents jumps or 'needle up' movements at the maximum stitch point. To see the effect, you need to turn off Auto Split. Long stitches are automatically divided into increments of maximum stitch length but without needle penetrations. It affects other stitching but is primarily used with satin. In essence, Auto Jump is a means of preserving long stitches. By contrast, tatami fill is flat and can show unwanted patterns with tight curves.Īlternatively, you can apply Auto Jump to satin objects that exceed the maximum stitch length. Auto Split looks more satin-like and works well with turning stitches, creating soft lines and a little more depth. While Auto Split is used primarily to prevent long stitches in wide shapes, it can also be used as an alternative to tatami fill. But it also distributes needle penetrations in a random pattern so that they do not form a line down the middle of the shape. ![]() Automatic splitsĪuto Split breaks long satin stitches into shorter ones. There are two techniques for handling unwanted split lines - automatic splits and automatic jumps. Usually 12.1 or 12.7 mm, this maximum value varies with the selected machine type. The example below shows a hard line of needle penetrations where long satin stitches have exceeded the maximum stitch length. The line formed by needle penetrations can affect embroidery appearance. If a stitch exceeds this, it is generally broken into smaller stitches of equal length. However, embroidery machines have a maximum possible stitch length which is determined by the physical frame movement. Because there are generally no needle penetrations breaking up the fill, satin creates a glossy, high-quality effect.Īs shown above, satin stitching can also be used for larger shapes where a glossy effect is desired. Satin stitches are almost parallel, with every second stitch slightly slanted. Satin fill is well-suited to narrow borders and shapes where the length of each stitch runs the width of the shape.
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